Texture, Gaze and Body

 

Figure Sculpture entered China from Greece via India. It is not just an exchange of culture and art, but also an exchange of the gaze between you and me, West and East. When I look at this space-time, what is being projected is not only the angle from which I understand the world, but also the unreserved reflection of my image. Correspondingly, when you look at the time fragments I have stared at, are you not also looking at your own mirrored image?

 

Material, color, brushstroke, body, form, in which space-time do our gaze rest? Withdraw, approach, spin, linger, suspend, our actions transcend cognition, connecting the past and the present. We are tourists who travel across different time and space, watching the world based on their own experiences and preferences. Some people use the eye of observation to construct the perfection of seeing themselves outside of themselves once more. Some others use the eyes of observation to witness the creation of our past selves, time and time again. Marcel Proust wrote: …for my eyes color was sufficient, without warmth; my chest, on the other hand, was anxious for warmth and not for color. From the perfection image of ourselves that we created before, we see our thoughts, desires, and beauty.

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​材质，目光与身体

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塑像从希腊途经印度传入中国。传递的不光是文化和艺术，还有我看向你，你看向我的目。当我看向这条时空，投射的不光是我看问题的角度，还毫不保留的倒影出我的形象；当你在看向我所凝视过的时光片段，投射的是不是也是你自己的倒影和你的形象

 

材料，色彩，笔触，身体，形式，我们的目光停留在哪一个时空？退开，靠近，旋转，流连，驻足，我们的行为穿越认知，衔接过往与当下。不同时空间游走的旅客都基于他们自身的经验与喜好注视、浏览着这世间。有的人借以观察之眼创造出再一次在自身之外看到自身的完美。有的人借以观察之眼，一次次看到被创造出来的过往的我们。而普鲁斯特写过: …我们的视觉只在乎色彩而不在乎温暖，相反我们的胸脯只在乎温暖而不在乎色彩。我们在以往被创造的完美的我们里看到了我们的所思所想，我们的渴望，和我们的美。

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